{"id":485,"date":"2012-01-12T12:00:22","date_gmt":"2012-01-12T17:00:22","guid":{"rendered":"http:\/\/cineslam.com\/?p=485"},"modified":"2012-01-13T08:35:01","modified_gmt":"2012-01-13T13:35:01","slug":"2012-cineslam-film-slam-seminars-ryan-logan","status":"publish","type":"post","link":"https:\/\/www.cineslam.com\/?p=485","title":{"rendered":"2012 CineSLAM Film Slam Seminars | Ryan Logan"},"content":{"rendered":"<p>It&#8217;s quite a <em>windy<\/em> day today, as our second filmmaker announcement for today also hails from the Windy City. Having been on the <em>Norwegian Gem<\/em> with us last year, welcome back:<\/p>\n<h2>Ryan Logan<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/cineslam.com\/wp-content\/uploads\/2012\/01\/Ryan-Logan_small.jpg\" alt=\"Ryan Logan\" title=\"Ryan-Logan_small\" width=\"246\" height=\"190\" class=\"alignleft size-full wp-image-487\" \/><\/p>\n<p>Ryan Logan is the award-winning director of the short film &#8220;The Single Mother\u201d which reached over 40 festivals throughout the world (Including major festivals, museums, and university screenings in London, Milan, Toronto, Rio de Janeiro, Palm Springs, Boston, and Chicago), and his second short, \u201cThe Widow\u201d, is currently on the circuit (Rhode Island Intl., DC Shorts, and NEWFILMMAKERS LA). His first film won him nominations for the Iris Prize, Utah Short Film of the Year, Best LGBT Short Film at the Barcelona International Gay &#038; Lesbian Film Festival, and won the 1st Place Alternative Spirit Award at the 2009 Rhode Island International Film Festival. He also had the pleasure of attending and screening both films on the 2011 <em>Pride of the Ocean<\/em> cruise.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s quite a windy day today, as our second filmmaker announcement for today also hails from the Windy City. Having been on the Norwegian Gem with us last year, welcome back: Ryan Logan Ryan Logan is the award-winning director of &hellip; <a href=\"https:\/\/www.cineslam.com\/?p=485\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[12,13,14],"tags":[15,16],"_links":{"self":[{"href":"https:\/\/www.cineslam.com\/index.php?rest_route=\/wp\/v2\/posts\/485"}],"collection":[{"href":"https:\/\/www.cineslam.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cineslam.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cineslam.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cineslam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=485"}],"version-history":[{"count":8,"href":"https:\/\/www.cineslam.com\/index.php?rest_route=\/wp\/v2\/posts\/485\/revisions"}],"predecessor-version":[{"id":513,"href":"https:\/\/www.cineslam.com\/index.php?rest_route=\/wp\/v2\/posts\/485\/revisions\/513"}],"wp:attachment":[{"href":"https:\/\/www.cineslam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=485"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cineslam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=485"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cineslam.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}